Par BACH JOHANN SEBASTIAN. Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach’s intentions. Bach scholars are well aware that Bach’s original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. J. S. Bach's St Matthew Passion BWV 244 for SATB and Piano. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research./ Répertoire / Choeur Mixte et Instrument Divers

Uses: Christmas EasterScripture: Lamentations 3:22-23; Matthew 28:1-10; Luke 2A noble hymn tune is combined with an inspiring new text in this choral concept for groups of any size. Careful craftingof the parts enriches the sound of your group and the inclusion of both Christmas and Easter texts makes this anthem of praise a beautiful and useful addition to your choir's repertoire. Available separately: SATB Handbells(digital 3-4 octaves). Duration: ca. 3:01. Congregation pages available in the “Closer Look” feature.

Suite Nr. 1 F-Dur Edition : score and parts Instrumentation : 2 treble recorders and basso continuo; cello (viola da gamba) ad lib. Date of Publications : 24/06/1983 Number of Pages : 21 Arranger : Ruf, Hugo Series : Original Music for Recorder

A Musical Journey of Friendship and Adventure-Once upon a time there lived a bear with many friends but he was restless. Surely there is more to life than eating honey and berries and sleeping the winter away! It's time to expand my horizons he thought. So one day Da Beardeclares “this is the day” and begins his journey up the mountain in search of adventure and - “to see what he could see ” of course. But beware! What's lurking over there? Come along and see what Da Bearand his animal buddies discover! Designed for young performers in Grades K-3 this delightful musical features 6 original songs in a variety of musical styles easy rhyming dialog with 47 speaking parts easily adaptable for castsof varying sizes and teaching objectives linked to the National Standards for each song. Simple movement staging and costume tips are also provided to help stage a successful performance! Available: Teacher Reproducible Pak(vocals lyrics dialog) Preview CD (with vocals) Preview Pak (1 Preview CD and sample pages) Performance/Accompaniment CD Classroom Kit (Teacher Repro Pak P/A CD). Duration: ca. 25 minutes. Suggested for grades K-3.

Marin Marais (1656-1728) Compositions from the First Book for two violas da gamba and basso continuo Editor: Günter and Leonore von Zadow, publication date: 2014-06, continuo realization: Dankwart von Zadow, source: Pieces a une at a deux violes [Premier Livre], Paris 1686-1869 Description Marais' music represents for many the pinnacle of the French viol literature, and the facsimile reproductions of his five books are widely distributed among gambists. For all those who prefer not to play from facsimiles, Edition Güntersberg has issued the suites for two viols from the First Book in modern practical editions. Besides the three part books our editions contain a score, which serves for a better orientation of the continuo players. In addition, for harpsichord players who want to get used to this music we provide a second score, which contains a thoroughly conceived continuo realization. Our viol parts show all performance instructions of the original and are structured in such a way that players as far as possible need not turn pages within movements. The editions contain an instructive introduction in German, English and French.

Le Rossignol Éperdu – Vol. 2 is the second volume of a set of two by Reynaldo Hahn. It features three main parts for advanced pianists. This volume 2 includes: II. Orient 31. En caïque 32. Narghilé 33. Les Chiens de Galata (Effet de nuit sur la Corne d’Or) 34. Rêverie nocturne sur le Bosphore 35. La Rose de Blida 36. L’Oasis (Biskra) III. Carnet de Voyage 37. L’Ange Verrier (Cathédrale de Bourges) 38. Le Jardin de Pétrarque 39.La Nativité (Crèche de Nuremberg) 40. Faunesse dansante (Le Rosso – Palais de Fontainebleau) 41. Les Noces du Duc de Joyeuse (Musée de Versailles) 42. Le Petit Mail (Rêveries de Calvin adolescent) 43. Les Pages d’Élizabeth (Temple Gardens) 44. La Jeunesse et l’Été ornaent de fleurs le tombeau de Pergolène 45. Vieux bahuts (Musée d’Orléans) IV. Versailles 46. Hommage à Martius 47. La Reine au jardin 48. Le Réveil de Flore 49. Le Banc songeur 50. La Fête de Terpsichore 51. Adieux au soir tombant 52. Hivernale 53. Le Pèlerinage inutile Reynaldo Hahn was a naturalised French composer conductor theatre director and singer. Best known as a composer of songs he also wrote many pieces and melodies for different instruments.

With Christopher Hogwood’s new edition of Elgar’s much loved Serenade a scholarly-critical edition of the work is now available for the first time. As with other Elgar works modern editions of the Serenade have always suffered from an enormous number of inconsistancies between the score and parts and unclear divisi and unison passages. The editor has clarified these discrepancies drawing on Elgar’s version of the work for Piano four hands (the original version) and the recently discovered autograph manuscript of the first movement. The edition also contains a facsimile showing the original ending of thethird movement as well as an informative foreword (Ger/Eng) and a critical commentary (Eng).The first scholarly-critical Urtext edition of this popular work for string orchestra.Foreword (Ger/Eng) and critical commentary (Eng).With facsimile pages.Full score and performance material (BA9041) available for sale.

With Christopher Hogwood’s new edition of Elgar’s much loved Serenade a scholarly-critical edition of the work is now available for the first time. As with other Elgar works modern editions of the Serenade have always suffered from an enormous number of inconsistancies between the score and parts and unclear divisi and unison passages. The editor has clarified these discrepancies drawing on Elgar’s version of the work for Piano four hands (the original version) and the recently discovered autograph manuscript of the first movement. The edition also contains a facsimile showing the original ending of thethird movement as well as an informative foreword (Ger/Eng) and a critical commentary (Eng).The first scholarly-critical Urtext edition of this popular work for string orchestra.Foreword (Ger/Eng) and critical commentary (Eng).With facsimile pages.Full score and performance material (BA9041) available for sale.